Tip o' the Hat: Harvey Evans

Harvey Evans

Here is my first Tip o' the Hat of 2014 which came to mind because it was this fantastic fellow's birthday the other day.

There are so many among us who have given so much over the years and just keep giving.  Harvey Evans has a grand and storied career highlighted by legendary Broadway shows and movies.  (If you're not familiar or you need a brush-up, just peek at his IBDB and IMDB pages.)  His support for the New York theatre community and beyond, with organizations such as Dancers Over 40 and BC/EFA, shows the kind of heart we can all aspire to.

Ya gotta have hard work, hilarity, and heart.  And he does.  Harvey Evans!

Tip o' the Hat: An introduction...

I often find myself in theatre seats and cozy backstage spaces and cabaret clubs and watering holes and Theatre District thoroughfares, and I see many folks doing fantastic things in this crazy world of showbiz:  Onstage and behind the scenes; New kids on the block, working Joes and Josephines, legends in their own time, and remembrances of those who have never left us in spirit.  The theatre is an ephemeral artform, although with modern technology and the proliferation of video this is becoming less the case.  But still, there are those who exhibit genius and character that may never be pointed out on a large scale.  I hope to shine a bit of light.  As has been spoken on a few stages a few times over the years, "Attention must be paid."

The very core purpose of my illustration work is the celebration of these people, and I'll be using this blog as a platform to acknowledge folks that I just feel like acknowledging.  It's all incredibly subjective, I know.  And of course I'm grateful for my weekly Broadway Ink platform on Broadway.com, but there are many times I wish to put the spotlight on folks who may not find themselves center stage on the Broadway, well at the moment I've got in my sights anyway.  I've been doing it in various ways for a long time, but here in this shiny new year I've decided to streamline these efforts on this page, whether it be a simple drawing, a video, or whatever.  And then all the tendrils of social media can start from here.  Simple, celebration, gratitude: all happy key words of my adventures in 2014 and onward.  Here we go...

The Line King's Library: Al Hirschfeld at the New York Public Library

Those who know me – or at least know of my work – can easily surmise that I love and revere the work of Al Hirschfeld and his significant thumbprint on the consciousness of eight decades of the arts, politics, and pop culture.  I recently had the pleasure of touring this exhibit with David Leopold, exhibit curator and Hirschfeld archivist.  It was such a lovely two hour chat about my favorite artist with the fellow who worked directly with Mr. Hirschfeld during the last 13 years of his life.  At David's suggestion, I've chosen my ten favorite things about the exhibit:

Video of Whoopi Goldberg geeking out over Mr. Hirschfeld.  And a peek at her first Hirschfeld.

1. Whoopi Goldberg video. A charming glimpse into what it meant for a Hirschfeld fan to get Hirschfelded... and the reason her first Hirschfeld has 40 Ninas.

2. "The First Nighters" mural sketch. This enormous multi-paneled piece shows the usual suspects of Broadway opening nights of the 1950s, as created to be installed as a mural at the Hotel Manhattan.  Such a fascinating original ink sketch with hand drawn legend.

3. New York Times first and last. David pointed out that if you stand in a certain spot in the exhibit, you can see the very first drawing Al drew that was published in the New York Times (Sir Harry Lauder, 1928) and his last (Tommy Tune, 2002).

The New York Times. Sir Harry Lauder, 1928. Tommy Tune, 2002.

4. Fifty years of Best Plays. The Best Plays series of annual volumes were the way many folks around the country immersed themselves in Hirschfeld's work.  This exhibit features a fantastic display case containing a significant number of these fine books.

5. Sweet Bye and Bye. Al Hirschfeld helped to write a Broadway musical.  Really? Yes. There's a significant amount of material here about Sweet Bye and Bye upon which Al collaborated with S.J. Perelman, Vernon Duke, and Ogden Nash in 1946.

6. Sketchbook for The Lively Years. At this library, Hirschfeld scribbled doodles and notes in this notebook as he researched his contribution to the collaboration with Brooks Atkinson, The Lively Years. It's so interesting to see this fellow's pencil sketches.

The Line King's Library, curated by David Leopold.

7. Fan letters.  There is a modest selection of some charming correspondence between Al and his fans, including dialog with a young lady who respectfully calls him out for numbering too few Ninas in a particular sketch.

8. The Rhythm series.  There are four lithos of pieces from Hirschfeld's Rhythm series, showing dancers in various dances such as the Cakewalk and Charleston.  Simple, colorful, and vibrant.  Color lithos.

9. The Pulitzer series.  You can see quite a number of pieces from Al's series featuring Pulitzer prize winning playwrights such as Tennessee Williams, Eugene O' Neill, and Arthur Miller.  Each playwright is drawn superimposed over a page from the Playbill, and then a scene from their acclaimed play is also illustrated.  Fantastic original ink drawings!

Al Hirschfeld's desk and chair, on display in the library lobby.

10. A desk and a chair.  At number ten, I could name any number of items, but I may be cheating a bit when I name Mr. Hirschfeld's desk and barber chair.  You see, these items remain on display in the library lobby year 'round, but they take on even more gravity as an extension of this fantastic exhibit.

The Line King's Library: Al Hirschfeld at the New York Public Library continues only until January 4, 2014.  If you're in NYC between now and then, do yourself a favor and drop in. You'll be so glad you did.

47th & 7th

Those of you in NYC should take a peek at the building at 701 7th Avenue in the Times Square neck of the woods (across 47th from the Palace Theater and kitty corner from the TKTS booth). In its current state of restoration/construction, it's sitting there without billboard or megadigitron contraption.  A glimpse of a Times Square of bygone days, yet with the shadow of the years upon't.  Very interesting.

701 7th Avenue.

Squigs' Book Club

Alrighty... As we're nearing the end of the year, here are some books I've enjoyed in 2013:

The Untold Stories of Broadway, Volume 1. Jennifer Ashley Tepper has interviewed a multitude of Broadway folks (onstage and backstage) about all the highs and lows of the show biz. If you're a Broadway fan, you'll eat this up with a spoon and come back for seconds. And I helped a little.  (I designed the Theatre District map therein.)

Daily Rituals: How Artists Work. An artist's work schedule is unique to each person, but since it's a somewhat solitary vocation, I sometimes wonder if I'm doing it "right." Here, Mason Currey compiles testimonials on how authors, painters, illustrators, and more go about their daily work life. I found it fascinating.

Humans of New York. Talk about fascinating! Photographer Brandon Stanton posts at least one photo each day online featuring New Yorkers of diverse walks of life and asks them a little bit of their story.  In this enormous "City of Strangers" it's important to note that the people I ride the train with or pass on the sidewalk are indeed human like me.

Performance of the Century: 100 Years of Actors Equity Association and the Rise of Professional American Theater.  Although this book technically came out last year, we did the launch and book signing in 2013, so here it is! As you likely know, I drew the cover (and a few doodles inside).  As a member of Actors Equity, this in an honor I'm very grateful for.

Happy reading!  And happy holidays to you all!

Hirschfeld at Henri Bendel

The holiday shopping season is upon us, and here in NYC the shop windows are bedecked and bedazzled with displays aimed at pulling shoppers in from the bustling sidewalks. At Henri Bendel, the windows feature a take on the work of legendary illustrator Al Hirschfeld. Display artists have made three dimensional versions of some Hirschfeld doodles. While it's wonderful that Mr. H's work is still such a part of public consciousness, it seems to be the prevailing opinion (amongst those who know his work very well) that the display doesn't trust the art.  I agree.  But even so, it's really nice to see art  and an artist that I admire get such a lovely tip o' the hat this holiday season.

Now, if you're in NYC and you really want to see a fantastic display of Hirschfeld's work, go visit the fantastic exhibition , The Line King's Library: Al Hirschfeld at The New York Public Library now through January 4, 2014! Happy Hirschfeldian Ho Ho Ho!

Bread & Puppet Theater

I had the privilege of seeing Bread & Puppet Theater in action last night. Ever the presence in grassroots arts and social activism, these sublime artists brought one of their pieces to light at a Presbyterian church on the Upper West Side in the 50th year of their existence, turning their attention to the atom bomb and Oppenheimer. A unique dreamy blend of larger-than-life puppetry and music and percussion and inexpensive art and sourdough made this fellow feel like he was a part of many a protest of yore.  It's so interesting to see that point where art and awareness and availability align.

Bread & Puppet Theater at West Park Presbyterian Church, 2013.

The Last Leaf

On the first really blustery NYC day after the autumn color has turned to a bleaker brown, there are always piles and piles of fallen and tousled leaves around the city, and a few stalwarts are clinging to branches as if it were their job to defy the seasons.  And I always think of O. Henry's short story The Last Leaf.  Do yourself a favor and take a few minutes to read this little tale.  I always wonder if I relate more with Sudie or Johnsy.  Or Behrman.

Masterpiece.

Dear Mr. Watterson...

I found (and find) such unexpected inspiration in the comic strip Calvin & Hobbes by Bill Watterson. He drew his strip from 1985 until a somewhat abrupt retirement in 1995, leaving his fans with a wealth of poignant, well-drawn, astute observations on life from the point of view of a six year old boy and his tiger friend. I still think fondly of this comic strip when I remind myself that imagination is limitless and the boxes I may put my art in may be themselves merely my imagination.

Tonight I saw a lovely documentary exploring the impact of Calvin and Hobbes on fans and artists and publishers and more. Dear Mr. Watterson, while rather bittersweet in its assessment of the state of comics today, is a wonderful exploration of a brilliant phenomenon that has left folks wanting more. I'm so happy I saw this!

Poster with accolades.

Testing. Is this thing on?

Don't mind me. I'm just posting to the blog from my phone for the first time. Is that nifty or what?

A little change in the air...

This has been a long time in coming, but I'm finally revamping my website and online presence.  It's a different look, interface, and vibe... and even a new URL.  I've hung out my shingle for quite a few years now, and I'm finally taking a little time to polish the shingle.  More to come!

Clickety click.